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Black Like You: Blackface, Whiteface, Insult & Imitation in American Popular Culture

  • Hardcover
  • Author: John Strausbaugh
  • Publisher: Tarcher
  • Release Date: June 2006
  • ISBN-10: B000VYT20E
  • List Price: $24.95

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Summaries and Customer Reviews provided by Amazon

Summary

Customer Reviews

Average Rating: Score = 4.0 Score = 4.0 Score = 4.0 Score = 4.0 Score = 4.0

A MUST-READ FOR ALL AMERICANS

Rating: Score = 5 Score = 5 Score = 5 Score = 5 Score = 5

AMAZING! Great writing, humorous and frank. Finally, a book about American culture, black culture, (and now, since we have discovered we all came "out of Africa") world culture, that's really worth the time it takes to read a book! Couldn't put it down. Takes you right up through to Rap, Rock, Pop, Gangsta'Lit, and Broadway. Hard to believe that John Strausbaugh's a white guy. You might want to check out his article and video in the New York Times Online Arts section (Strausbaugh is the host of the video podcast series on New York "Weekend Explorer"). Look for "On the Trail of Brooklyn's Underground Railroad." It pertains to Black Like You. Strausbaugh gives an expert tour about Brooklyn's abolitionists and shows a section of Brooklyn that was just (September, 2007) dubbed "Abolitionist's Place" supposedly acknowledging the historic importance of the underground railroad. It is obviously a hypocritical move on the part of New York's politicians, since, as Strausbaugh points out, all the "abolishonist" houses are about to be razed to put up a parking lot. But, back to the book: it covers the abolitionists, entertainment and every reality about race and culture that has been hush hush until Strausbaugh had the balls to speak up!

Errors and Misrepresentation Abound!

Rating: Score = 2 Score = 2 Score = 2 Score = 2 Score = 2

After reading John Strausbaugh's new book, Black Like You, I am stunned. As a scholar of Ohio history, I protest the cavalier libel of Dan Emmett, and Ben and Lew Snowden. The author has NO PROOF of his contentions. Where is the evidence that Dan Emmett was taught to play the fiddle by an African-American? (pg. 102) Strausbaugh doesn't even attempt to footnote that. Where is the proof that Ben and Lew Snowden "claimed to have taught [Dan Emmett] the song [Dixie]?" (pg. 104)

It is incredible to me that the source cited for this is a REVIEW of Howard and Judith Sacks' book, Way Up North in Dixie--and the review is misrepresented.

The second source cited is John Leland, in Hip: the History, who wrote that, in answer to Emmett's claim of authorship, the Snowdens "disputed this credit." (Leland, pg. 29) THEY DID NOT. It is telling that Leland--who also writes for the New York Times, also cites a review of the Sacks' book. (pg. 359, n29)

Mr. Strausbaugh's error is most egregious. How in the world did he deduce from Norm Cohen's review that "Ben and Lew Snowden, who'd been Emmett's neighbors back in Ohio and who claimed to have taught him the song." (104)

This material ABOUT the Snowdens did not surface until both were conveniently dead. IT IS HEARSAY, told by others ABOUT the Snowdens, never by those brothers. I shudder to think what other errors are incorporated into the book.

It's About Time

Rating: Score = 5 Score = 5 Score = 5 Score = 5 Score = 5

It's about time somebody had the guts to tackle a "taboo" subject like this one! Strausbaugh's careful reseach, keen perceptions and biting sense of humor make this book an enthralling and mind-expanding read.