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Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice
Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice

Hardcover
Author: Juliette Aristides
Publisher: Watson-Guptill
Release Date: 2006-10-13
ISBN-10: 0823006573
ISBN-13: 9780823006571
List Price: $29.95
Average Customer Rating:
Score = 4.5 Score = 4.5 Score = 4.5 Score = 4.5 Score = 4.5
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Summaries and Customer Reviews are supplied by Amazon.com

Summary:
An atelier program between the covers of a book
* Serious techniques for the serious art student
* Study the work of the Old Masters and today’s top realist artists
* In the tradition of Watson-Guptill’s classic Drawing Lessons from the Old Masters

Ateliers have produced the greatest artists of all time--and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book--and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of works of Old Masters and today’s most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.



Customer Reviews
Average Customer Rating: Score = 4.5 Score = 4.5 Score = 4.5 Score = 4.5 Score = 4.5

A good general book
Customer Rating:  Score = 4 Score = 4 Score = 4 Score = 4 Score = 4
The book is nicely designed and some of the drawings are well duplicated. I expected the book to have more practical information about drawing in the atelier. However, the instructions were very general, fit only for a top professional artist who only needs some refreshing of techniques. There are exercises but the explanations are too sketchy and general. In one of the exercises there were photos of the various drawing stages. But each photo is of a different drawing! It's difficult to follow the drawing process this way. The book is good only as a general guide to get an idea of the atelier method, but you won't get much practical information from it. All in all it's disappointing because I was expecting practical information. Good drawings to copy I can find over the Internet.

Beautiful Book
Customer Rating:  Score = 5 Score = 5 Score = 5 Score = 5 Score = 5
I had to buy this for my Life drawing class, but I'm not going to sell it back to my school. This book is great. Though it is a bit repetitive, it helps break down drawing skills. After reading this book, I drew a portrait that sold for over $100. It also has some beautiful pictures in it, so now my mother has stolen it, to have on her coffee table....

a masterpiece
Customer Rating:  Score = 5 Score = 5 Score = 5 Score = 5 Score = 5
After working with Juliette in her Atelier and practicing these exercises I've discovered things I never expected to learn. Her methods are priceless tools. Whatever you might glean from this wonderful book will most certainly serve you. She is an excellent painter, writer and teacher.

Beautiful drawing
Customer Rating:  Score = 5 Score = 5 Score = 5 Score = 5 Score = 5
This comprehensive manual displays a appreciation of the human form and explainns the most important aspects of figure drawings executed in a classic timeless style.

Better than most darwing books
Customer Rating:  Score = 4 Score = 4 Score = 4 Score = 4 Score = 4
First off I'd like to say that this book will prove to be very helpful for any artist, ranging from a beginner to a professional and will show you new ways to approach drawing. However if you have studied classical drawing this will prove to be a bit of a let down. I have studied under one of Juliette's instructors and most of her lessons in the back of the book were actually derived from his his. There is one thing however I don't agree with in this book but that wouldn't discourage me from recommending it to others. The problem is that I don't like the way she shows how to draw the casts, its more of an outline that you then go through and work with value rather than working with a line drawing then introducing value. I'm not very found of this technique, but the drawings are very good and there are tons of useful information and great introductory lessons in the back of the book (though there could be more). I would also recommend studying George Bridgman, Gottfried Bammes, Joseph Sheppard, and Robert B. Hale for anatomy and designing the human figure.

























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