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Average Customer Rating:

Borderlands	Customer Rating:
Most of the stories in this book are good. A few of them were just downright ridiculous and I skipped over them but, for the most part, this book is worth the read.

Good and Bad	Customer Rating:
This is a book of short stories by various, mostly new, authors. While I found the book searching for Stephen King books, only one story is authored by him. The stories themselves are a mix. Some are very good and others not so good.

borderlands	Customer Rating:
FROM THE BORDERLANDS ARRIVED ON TIME AND IN EXCELLANT CONDITION. i HAVE READ IT YET. iT WAS PACKAGED VERY GOOD

Not THAT weak, but not splatterpunk! Good spooky stories, no gore.	Customer Rating:
Not exactly what I expected, but still worth reading. Good stories but not super scary or splatterpunkish.

Shockingly weak

Customer Rating:

In the early to mid-nineties, White Wolf (oh, how I miss their original fiction line) published a set of four anthologies under the title of BORDERLANDS. The only real rule was that there weren't any. Authors were encouraged to experiment. Clichés and common subject matter were to be avoided. These turned out to be four of the best collections of dark fiction ever published. The stories were original, diverse, and memorable. After a nine-year gap, this fifth anthology finally appeared. What a disappointment. FROM THE BORDERLANDS is filled with rambling, forgettable, often incoherent rubbish. The ubiquitous Bentley Little, an author who has essentially built a career on writing the same novel over and over, seems to think he can put any kind of bizarre nonsense down on paper and get it published. Unfortunately for us, he's right. (Little is the only author to have appeared in all five anthologies.) His piece appears to have been transcribed directly from a bad dream he might have had. It makes no sense - an absolute head-scratcher. Far too many of the stories are like this. The worst are both incoherent and tedious, like Barbara Malenky's "A Thing," whose narrator is barely literate. Seeing the editors gush praise about each entry in the introductions only adds insult. I actually thought the Monteleones must have been on drugs when they read for this volume. Out of twenty-five stories, only a few are worth a look: "Rami Temporalis" by Gary Braunbeck: Joel has one of those faces, the kind anyone can trust, even a complete stranger. One day, he finds out why. Though the ending is anticlimactic considering the grand nature of what is revealed, this story involves a truly interesting philosophical idea and is exactly the kind of imaginative tale that should appear in these books. "N0072-JK1" by Adam Corbin Fusco: I'm a sucker for stories that are done as scientific transcripts. You know that they are gradually building to something awful but you can't stop reading: the horror story in its purest form. The deeper unease, I think, comes from knowing that humans are, in fact, capable of doing terrible things in the name of research, and that maybe it isn't far-fetched at all. This one involves a study of the nature of tickling, one that leads to sinister and disturbing conclusions. "Infliction" by John McIlveen: A delinquent father goes in search of his runaway daughter and finds that sometimes the only way to erase old scars is to create new ones. "Around It Still the Sumac Grows" by Tom Piccirilli: A man returns to his high school after twenty years to retrieve something he left behind. Piccirilli's tales usually have a surreal quality to them, but not so much that you feel like he's blowing hot air (which is how I felt about most of the stories here.) Besides, I've revisited my old school many years later as well, and it is indeed a surreal experience. Collections like this make me sad, this one even more so because I'm aware of the potential it had. BORDERLANDS number five is largely a waste of time. I hope the good stories get reprinted somewhere else.