Selected Product: | Image-Music-Text Paperback Author: Roland Barthes Publisher: Hill and Wang Release Date: 1978-07-01 ISBN-10: 0374521360 ISBN-13: 9780374521363 List Price: $16.00 Average Customer Rating: | | Camera Lucida: Reflections on Photography ISBN-10: 0374521344 ISBN-13: 9780809013982 List Price:$13.00 Illuminations: Essays and Reflections ISBN-10: 0805202412 ISBN-13: 9780805202410 List Price:$15.00 Camera Lucida: Reflections on Photography ISBN-10: 0374521344 ISBN-13: 9780374521349 List Price:$13.00 Mythologies ISBN-10: 0374521506 ISBN-13: 9780374521509 List Price:$13.00 The Pleasure of the Text ISBN-10: 0374521603 ISBN-13: 9780374521608 List Price:$12.00 Elements of Semiology ISBN-10: 0374521468 ISBN-13: 9780374521462 List Price:$14.00 |
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These essays, as selected and translated by Stephen Heath, are among the finest writings Barthes ever published on film and photography, and on the phenomena of sound and image. The classic pieces "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included. i--m--t | Customer Rating: | Heath selected well for this volume, the essays flow well into one another and it proves to be quick reading.
"Ethnocentric" in the other review is laughable. Suppose it's not ethnocentric as long as one is biased for others, so long as it be against oneself. Cultural Marxists ought to be too busy putting their efforts against the State to have time to indulge in these sorts of things, ah, but they're far too busy earning tenure at a federally funded university to take note; they have had their sabbatical request approved by the Women's Studies department and are off to write that big diatribe against Religion and Intolerance and Poverty they've always dreamed of ever since they were a little fetus. So much invective, so little time! | Death of the Author, Rhetoric of the Image, etc. | Customer Rating: | A note: these essays were not only translated, but also selected by Heath.
A series of essays about the composition of images (aural, textual, and visual). A good collection for people interested in his thoughts on cinema and structuralist treatment of visual form. I'm a long way from my university infatuation with semiotics, but I still find this thought-provoking to return to and an ongoing pleasure to read. | An excellent introduction to Barthes | Customer Rating: | | More accessible than some of his others, this book nevertheless exhibits the same pyrotechnic, questing intelligence that makes everything from his hand a delight to read. Excellent translation maintains a high order language as thrilling as it is conceptually sophisticated. The argument is not an academic one; rather, this is speculative writing at its most adventurous. A title for those who consider the brain their favorite organ. | STRONGLY recommended for anyone with insomnia | Customer Rating: | | Roland Barthes strikes me as an unreliable logician and a philosopher that one should be wary of. His premises are largely unsupported (or supported only weakly) and his statements often paradoxical or vastly generalized. His vocabulary is of such an unnecessarily high level that it strikes me as a smokescreen for faulty logic. Furthermore, I side with John Irving in his defense of Kurt Vonnegut: the assumption that what is easy to read must have been easy to write is acceptable only in those who do not write. Note the following excerpt from a passage on page 42 of the text: the letter of the image corresponds in short to the first degree of intelligibility (below which the reader would perceive only lines, forms, and colours), but this intelligibility remains virtual by reason of its very poverty, for everyone from a real society always disposes of a knowledge superior to the merely anthropological and perceives more than just the letter. "Everyone" and "always" are two dangerous words, as most logicians can tell you. One exception disproves the premise, and a diproved premise weakens the argument. The word "real" reveals a bias--what does Barthes mean by a "real" society? It seems, at any rate, a thinly disguised ethnocentric snobbery. "A knowledge superior to the merely anthropological"--why is anthropological knowledge "merely" anthropogical? What, then, is superior to it? and why? I'm not being defensive--I honestly don't know. "Since it is both evictive and sufficient, it will be understood that . . ." "Sufficient"? Sufficient for what? "Evictive"? Does he mean "evocative"? Frankly, I'm not sure anything WILL be understood. Buy this book for a sleeping pill, a gag gift, or an insufferable class. Otherwise, don't worry about getting literate--in this case, it's overrated. His theories could be expressed in a much simpler way. And then, once you understand them, you find that the ones that do hold up are unquantifiable and inapplicable. |
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