Selected Product: | The Viewpoints Book: A Practical Guide to Viewpoints and Composition Paperback Author: Anne Bogart, Tina Landau Publisher: Theatre Communications Group Release Date: 2005-04-15 ISBN-10: 1559362413 ISBN-13: 9781559362412 List Price: $16.95 Average Customer Rating: | | A Director Prepares: Seven Essays on Art in Theatre ISBN-10: 0415238323 ISBN-13: 9780415238328 List Price:$35.95 And then, you act: Making Art in an Unpredictable World ISBN-10: 0415411424 ISBN-13: 9780415411424 List Price:$26.95 The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate ISBN-10: 0684829576 ISBN-13: 9780684829579 List Price:$11.95 The Moving Body: Teaching Creative Theatre ISBN-10: 0878301410 ISBN-13: 9780878301416 List Price:$22.95 The Way of Acting: The Theatre Writings of Tadashi Suzuki ISBN-10: 0930452569 ISBN-13: 9780930452568 List Price:$13.95 |
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The Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with-space and time-into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work. The Viewpoints are a set of names given to certain principles of movement through time and space-they constitute a language for talking about what happens on stage. Coupling this with Composition, which is the practice of selecting and arranging the separate components of theatrical language into a cohesive work of art, provides theatre artists with an important new tool for creating and understanding their art form. Primarily intended for the many theatre artists who, in the last several years, have become intrigued with Viewpoints yet have had no single source to refer to in their investigations. It can also be used by anyone with a general interest in collaboration and the creative process, whether in art, business or daily life. Anne Bogart is Artistic Director of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of two OBIE Awards and a Bessie Award, and is an associate professor at Columbia University. Her recent works include Alice's Adventures; Bobrauschenbergamerica; Small Lives, Big Dreams; Marathon Dancing; and The Baltimore Waltz. Tina Landau, noted director and playwright, whose original work includes Space (Time magazine 10 Best), Dream True (with composer Ricky Ian Gordon) and Floyd Collins (with composer Adam Guettel), which received the Lucille Lortel Award for Best Musical, an OBIE Award and seven Drama Desk nominations. She has been an ensemble member of the Steppenwolf Theatre Company since 1997. Bogart and Landau Are the Best | Customer Rating: | | I have worked with both Anne Bogart and Tina Landau and grew to appreciate their unique approach. It is good to see their way of working in print finally. The book is a great resource for all who have some appreciation for what goes into making a piece of theatre. It will especially pique the interest of those who see the physical nature of the theatre as paramount. The book outlines an way to replicate the work of these two great theatre artists in their own process. Dancers and choreographers will perhaps find a new perspective on what they do in this book. | Viewpoints | Customer Rating: | | I wanted a good, basic look at Viewpoints and this book has been exactly what I hoped it would be. It is to the point but still offers enough explanation to make sure the reader understands each viewpoint. If you want a good, basic background of the work this book does well. | Indeed a "practical guide" | Customer Rating: | | This book was highly recommended to me by a dancer friend, and I've found it to be extremely useful for dance improvisation sessions I'm leading with a group of non-dancers. The authors offers numerous exercises that groups can build on, experiment with, and use to generate skill and teamwork. If you're looking for inspiration for your own performance project or creative ideas for group activities, you will find them here. | Must Own | Customer Rating: | This book is a must-own for actors looking to learn about the physical traning of Viewpoints.
It's great, and practical, and you'll find yourself learning.
A must for every actor's shelf. | FINALLY! | Customer Rating: | It took forever to finally arrive.. both in the sense that it kept getting delayed, but more importantly as a director who has trained with Viewpoints and wanted to impliment them into my work.
The book is very accessible to even those who have not taken any Viewpoints classes with a laid out ground plan for how to introduce each Viewpoint as well as how to use them in rehearsals and creating new pieces. The end of each section includes several options to eithe expand or replace, making the plan fit perfect for whatever you're doing. I read it cover to cover in a sitting and will be referencing it in the future as I direct those new to Viewpoints as well as those previously exposed.
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